A while ago, I decided to switch to MP3 music instead of CD’s, so I painstakingly ripped all my CD’s (500+) onto my computer. It’s much easier finding albums on a computer than it is sifting through piles of CD’s only to find out that I put the wrong CD in the case that I was looking for. Plus, I really love “super random” play.

Anyways, I did all my encoding at 128kbps. After I finished (a week later!), I was talking to a friend of mine who had just finished doing the same thing with all of his CD’s, except he did then at 320kbps. He and everyone I spoke with told me that at 128kbps the audio is pretty much garbage and that I needed to do it all over again. I thought to myself: Why didn’t I rip them at 320kbps? Now I have to deal with inferior quality music or go through the entire ripping process again!”.

Can you hear the difference? In any case, I have a fun test for everyone: Listen to these 2 clips. One is encoded at 128kbps and the other is encoded at 320kbps (over twice the bit rate). Can you tell the difference?

Digitally, 320 may be better than 128, but the “naked ear” of the average music listener doesn’t possess the equipment, they don’t have a clue. During the 90’s, I worked for a DJ company that dubbed vinyl & CDs to cassettes using DBX. The cassettes were seriously analog and the dance floor did not know the difference. Now, we’re returning to vinyl, but if you don’t have a quality sound system, cartridge & stylus, combined, the sound-chain will be of sub-standard quality.

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Likewise, if you don’t have quality headphones or earbuds, you won’t be able to distinguish the difference between 320 & 128. For a house party or a wedding dance floor filled with drunk family, 320 vs. 128 is, “Much ado about nothing!”.

Go searching on the internet and there are all kinds of graphs, tables and tests to show you the difference between 128kbps and 320kbps MP3 audio quality, but the best test of all is simply to listen. Digital DJ Tips reader Rigel Garman writes: “I’ve been doing a lot of research about bitrates and different types of audio files and I’ve come to find out that 320kbps is what I need to have when making mixes, sending out demos, doing live shows etc. All while still having enough space on my CPU hard drive. So I want to convert all of my files over from 128 to 320kbps through iTunes. But by doing this, it creates an entire new track. The problem is that I’ve made a plethora of cue points and markers on my 128kbps tracks and I don’t want to spend hours going through and making the new cue points on the 320 tracks unless I absolutely have to. Is there a way around this?

Any help would be awesome!” Digital DJ Tips says: Don’t do it! 128kbps files are much smaller than 320kbps files, and the reason is that they have been “compressed” much more from the original audio. While most people find it impossible to hear the difference between a 320kbps file and an original, uncompressed version, you can definitely hear the degradation in quality when you get down to 128kbps.

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So far, so good – you’re right to want to fix that. Trouble is, the files are smaller because the missing information is gone forever. You can’t just re-output them at 320kbps. The new file will be a lot bigger, but won’t contain a single byte of musical information more than the 128kbps version. Bigger file, no increase in audio quality. In other words, it’s a totally pointless exercise. The moral is: Go with the highest quality files you can to start with, and don’t expect to be able to “uncompress” audio that has been compressed.

Just like shrinking a digital photo then blowing it up again, you lose the quality in the compression stage, and it’s impossible to reverse the damage done. Have you ever made this mistake? What lessons did you learn? Nowadays, what type of files do you choose? Please share your thoughts in the comments.