1 Letter From The Desert I 06:08 €0.09 2 Still Waiting (Letter From The Desert II) 04:50 €0.09 3 No Quarter 11:49 €0.09 4 New Name 04:56 €0.09 5 Kozolec (For Agape) 05:05 €0.09 6 The Time Beneath The Sky: Credo I 08:07 €0.09 7 The Time Beneath The Sky: Credo II 05:13 €0.09 8 The Time Beneath The Sky: You Are (In The Labyrinth Of Thoughts) 04:40 €0.09 9 The Time Beneath The Sky: Quimpromptu 09:36 €0.09 10 The Time Beneath The Sky: (Everything Has Its Own) The Time Beneath The Sky 04:15 €0.09 00:00 € 0.00.

Is 's first studio album in four years. After such a gap, one expects change and change there is.

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The Time Beneath The Sky is the third studio album of Polish progressive rock group Quidam, released 2002. Nov 08, 2016  Taken from the album 'The Time Beneath the Sky' (2002) Emilia Derkowska - vocals Zbyszek Florek - keyboards Maciej Meller - guitar Jacek Zasada - flute Radek.

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After a relatively pop-sounding CD (1998's ), the group comes back to a more overtly progressive rock sound -- i.e., songs are more complex and include instrumental developments. But melody still reigns like the scepter in the hand of singer Emila Derkowska.

The album kicks off with North African overtones in 'Letter From the Desert I' and 'Still Waiting (Letter From the Desert II),' an unprecedented touch that works well and evokes 's similar leaning on the album (Jacek Zasada's flute work has something to do with it). 's classic song 'No Quarter' is given a nice rendition, audacious in its arrangement yet very respectful of the original mood. If 'New Name' fails to raise interest, 'Kozolec (For AgaPe)' stands out as the 'Moje Anioly' of this album, a light and bouncy prog-pop song. The second half of the set is devoted to the five-part, 34-minute title suite.

Not particularly convincing as a whole, it still features very strong moments in 'Credo I' and 'You Are.' As a performing unit, keeps on growing, with kudos going to the awe-inspiring Zasada and guitarist Maciek Meller, who throws in a few nice solos despite his reluctance to let go of 's influence. More paced and mature than previous efforts (you should decide for yourself if that's good or bad), discreetly pushes 's music one level higher.