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View and Download Marshall Amplification MG15MSII owner's manual online. Head and 50w 2 x 12 combo (4 pages). CD INPUT SPRING REVERB LINE OUT Owners Manual.

I love the little underdog amps. Bang for the buck little 5 watt tube amps (both head and combos). Fractional watt tube heads (ZVEX, Songworks, Bumbox, Cricket, etc.). Big wattage in little packages(tube or SS). I've been thinking about getting a low mantainance great sounding SS practice/recording amp to keep in a basement level living area. I really don't like the idea of my GA-5 down there with climate and humidity changes and stuff. So, SS it is!!!

Cheap, easy, sound good at low volumes! I was thinking of the spring reverb, tremolo 15watt VOX pathfinder, Roland Micro Cube, or now a Marshall Lead 12. I've heard great things about these. These were made in England, 10' Celestion speaker (also made in England at the time), 12 watts, and very warm sounding and feeling, like a tube amp. These are about 25 to 15 years old now, fairly hard to find, but only about $100-$150 when you can find them. The construction seems to be about the same as the more expensive JCM's and what-not. Anyone every used one?

Seems to be a great practice and recording combo!! This is actually the amp that Billy Gibbons used for My Heads In Mississippi. I have one and it is a decent practice amp. Running it into a 4x12 cabinet does make it sound a lot better. Here is what Vintage Guitar Magazine has to say about them: 'Lead 12: The Little Screamer - Greater distortion at low volumes was also the goal of one of the most interesting amps Marshall released in the early '80s - the model 5005 Lead 12.

A 12-watt transistor practice amp with a 10' Celestion, it retailed for under $200 and for many came surprisingly close to capturing the great, warm sound of the distorted Marshall amps of years gone. It was a favorite of many working musicians, including luminaries like Billy Gibbons of ZZ Top. The Lead 12 proved to be enough of a hit with consumers that Marshall has continued to make transistor mini-amps. The '80s and early '90s saw the introduction of the tiny one-watt MS-2, the popular 3005 solidstate Micro-Stack (based on the 5005), and the 10-watt 8001 Valvestate Micro-Stack (part of a series of Marshall amps launched in '91 where all models with 40 watts or more used a 12AX7 tube in their preamps, to drive a solidstate power stage designed to sound and feel like an all-tube power amp), as well as numerous more high-powered combo amps, and even separate transistorized heads.' Quote from 'The History of Marshall' by Michael Doyle '.Naturally there are many modern Marshalls that can come close to approximating the Bluesbreaker sound but the most surprising one is the old 5005 (Lead 12) solid-state combo so beloved by Billy F Gibbons.

He recorded such guitar greats as 'My Head's in Mississippi' with this amp, and I am eternally in his debt for bringing it to my attention!'