Oklahoma City, Okla.-September 03, 2008- Audio Dimensions, the premier provider of specialty audio, video, and automation technology in the Southern Midwest, today announced their merger with Audioport Ltd., of Kansas City. This new partnership extends Audio Dimensions’ reach to four states, Oklahoma, Arkansas, Tennessee and now Kansas, and adds a wealth of audio expertise to its team of electronics integrators. “Audioport Ltd. Has been Kansas City’s go-to source for high end audio expertise for 22 years,” says Russell Kim, President of Audio Dimensions. “This relationship will enhance both partners’ service offerings. Audioport Ltd. Brings a rich background in the high-end audio business, and Audio Dimensions provides extensive knowledge of custom electronics integration for the home.” Rick Milam, former President of Audioport Ltd., says, “I’m excited by the synergy created by this merger.

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Audio Dimensions, the premier provider of specialty audio, video, and automation technology in the Southern Midwest, today announced their merger with Audioport Ltd., of Kansas City. This is essential to impeccable timing and is what gives your music not just fidelity but also real depth, presence and soundstage. Gif siksa kubur anak. “I can’t suggest the Gamut RS5i speakers highly enough and I’ve put my money where my mouth is – I’ve purchased the review pair.”.

Technology in the audio industry is growing ever more complex, and bringing together these two firms improves our ability to thrive in the changing market place.” He adds that Audioport will retain their core values, continuing to provide the ultimate in customer service, while enormously expanding services with the help of Audio Dimensions. Audioport’s Kansas City location will be the seventh store for Audio Dimensions, whose flagship store is in Oklahoma City, Okla. The firm has made expansion a priority over the last decade. One year ago, it acquired Underground Sound in Memphis, Tenn. This became the sixth Audio Dimensions storefront. For more information, please contact Lucy Fortin at or 610-642-8253, ext.

My own experience with GamuT power amplifiers goes back to 2006 when I had the pleasure of living with a D200 MkIII stereo amp—the predecessor to the subject of this review— for about a month. Shortly thereafter, I bought a pair of M200 MkIII mono amps, which I still own. What struck me so vividly about both models was their lack of obvious solid-state character compared to almost all other SS amps priced near their respective levels at that time: $8500, stereo; $11,500, mono pair. Up to that point, my experience with SS amps left me thinking that nearly all other similarly-priced SS amplifiers had relatively poor depth and somewhat dry and grainy qualities, and were often not very musically compelling. Solid-state amps which largely mitigated those qualities usually came with much higher prices. As I’d been a confirmed tube-amp guy for 20 years, the GamuT amps were a revelation. Here were reasonably priced solid-state amplifiers with a neutral tonal balance, good image density and soundstage depth, relatively little telltale graininess, and a high “musical interest” factor.

The new D200i stereo ($12,500) and M250i mono amplifiers ($23,000, please see the M250i sidebar) look almost the same as the earlier versions, and they retain much of the Kristensen- designed circuit and features of the previous, non- i models. The main cosmetic update lies in the center inset of the faceplate. It now has a pale gold, mirror finish (as opposed to anodized aluminum) and the on/off button at the top of the inset is now a more subtle round metal disc instead of the larger, more utilitarian-looking black rocker-switch of the earlier models.