Inspired by The Unicode® Standard, this electric ensemble piece explores the interconnected lives of two dozen emojis whose existence inside a smartphone becomes increasingly complicated after a software update. Technical debt ratio sonar decimal. There is a ticket associated to SonarQube 5.3 to cover this use case. Software Recommendations.

Keith Harrison is a multi-talented creative artist with experience on hundreds of projects in the music, television, film, theatre, and live events industries. He has served as composer/music supervisor for the Emmy Awards, was an original cast member of the Broadway hit Million Dollar Quartet, and has collaborated with diverse and acclaimed talents such as Ariana Grande, Martin Sheen, Heather Headley, Jason Alexander, Ana Gasteyer, and Jessie Mueller.

He has been musical arranger for American Idol, house pianist for Access Hollywood, and has contributed work to productions for most major Hollywood studios including Netflix, Disney, NBCUniversal, 20th Century Fox, Sony, Lifetime and more. Keith has performed and music directed at Goodman Theatre, Center Theatre Group, The 5th Avenue Theatre, Broadway in Chicago, Pasadena Playhouse, Geffen Playhouse, Children’s Theatre Company and many others. He holds a B.M.

In Music Direction & Conducting and a Certificate in Musical Theatre from Northwestern University, and has taught at the American Musical and Dramatic Academy and the Theatre of Arts in Hollywood. Learn more at www.keithharrison.tv. Laura Nicole Harrison got her AEA card at age 12 playing Little Girl in Frank Galati’s Ragtime at Chicago’s Oriental Theatre. Since then she’s performed major roles at theaters across the country including Geffen, Goodman, Center Theatre Group, Goodspeed, Long Wharf, Court Theatre, Victory Gardens, and most recently was seen in the twice-extended Ovation-recommended hit world premiere play The Art Couple at Sacred Fools and the Burglars of Hamm’s Resa Fantastiskt Mystisk ('Best of Fest” Hollywood Fringe 2018). Her TV/Film acting credits include Showtime's Masters of Sex, Weeds, YouTube Originals' Sing It!, and multiple award-winning indie films. Laura’s dance, voice, choreography and performance capture work has been featured in video games, commercials, music videos, and live shows.

Some notable collaborators include Jason Alexander, Bob Odenkirk, Chazz Palminteri, Keith David, The Killers, Square Enix, NOFX, Mary Zimmerman, and Donald Margulies. She co-created and starred in the improvised web series Crystal’s Balls for Funny Or Die, for which she received an LA WebFest “Outstanding Lead Actress” nomination. Laura graduated from Northwestern University, where she met her husband and partner in rhyme, Keith Harrison. Learn more at and follow her @thelillaura. Select Credits: Southern Comfort (The Public Theatre; Lucille Lortel Award & Outer Critics Circle nominations: Best New Musical), Dynamo: Seeing Is Believing (West End, U.K., Australian tours); Brave New World by Bill Russell & John McDaniel (NC Stage); Academia Nuts (NYMF awards for Best Direction & Best Musical); Matthew McConaughey vs. The Devil (NYMF nominations for Best Direction & Best Musical); Southern Comfort (Barrington Stage & Cap21 – Jonathan Larson & Glaad Awards – Best New Musical).

Broadway/Nat'l Tour: Ragtime (1NT); Regional: Holiday Inn (Goodspeed, MUNY), Resa Fantastiskt Mystisk ('Top Of The Fringe 2018' at The Hollywood Fringe Festival); Pericles (Goodman); The Wild Duck (Court), Jacob & Jack (Victory Gardens), Carousel (Long Wharf), Coney Island Christmas (Wksp., Geffen), Oblivion (Wksp., Center Theatre Group); TV/Film: Masters of Sex (Showtime), Weeds (Showtime), Sing It! (YouTube Red), Jersey Shore Shark Attack (SyFy), Game Shakers (Nickelodeon), Crystal's Balls (Funny Or Die, LAWebFest “Outstanding Lead Actress” nomination).

In my (huge) company we mostly use two tools for code analysis: • Sonar(Qube) - in the development, tightly integrated with CIs, known and loved my developers. Canon mf 6530 download standby canon. • - required by the processes.

No continuous measurements, only a couple of times a year, for instance on major releases. CAST analysis is completely decoupled from the development, done by a separate team (we just send the delivery package to analyse). I'm on the dev side as you may guess, I (somewhat) know Sonar/PMD, but not CAST. In any case I'm not quite happy with the frequency of the CAST analysis, but It is probably not the process I could influence or change. So I was thinking if it maybe would be possible to implement in Sonar similar rules as in CAST. Surely not all and not everything but at least something that there would be no big surprises from the CAST analysis of releases. I googled all over, looking for something like 'PMD rules for Sonar/PMD' but could not find anything.