The place for all things Burial Welcome to the subreddit dedicated to the artist Burial. Releasing records under the pseudonym 'Burial,' William Bevan comes from South London in England, and is one of dubstep's most enigmatic artists. With home made chopped up beats, swooshing synths, and haunting modified vocals lifted from an eclectic range of pop songs, he brings his listeners back to a time when hardcore, d'n'b, 2step, and house music dominated the London underground club/rave scene. He takes pride in creating the feeling you'd get after leaving a club playing this music at 3am coming down from a couple of Es and walking through the streets of London. He chooses to stay shrouded in a cloud of mystery, and has only been in 3-4 interviews which have been posted in this subreddit. He doesn't play live, and he occasionally releases snippets of songs to radio stations, and then we never hear them again as officially released tunes.:,,,,,,,,,: 1, 'Random porn videos being posted here' counter: 2 Important Links: Burial Discord Server Beats-Burial-Ground for a subreddit dedicated to chill tunes you'd listen to at night Find a new Burial sample?

Post it by our very own Looking for the samples that Burial uses? Put together an outstanding set of videos showing some of the samples that Burial has used in his songs. Please thumbsup these videos and show him some love for all the time he put into these. Related Subreddits: run by our very own Similar Music. Hi guys, I was wondering what was the process in the making of the EP 'Moth/Wolf Club' by Four Tet and Burial. I mean: what type of sounds or ideas do you think are from Will or Kieran? I think that Moth it's more 'Burialesque', especially for the vocals and the atmosphere, the crackles and the lo-fi sound of the song.

Essentially, if “Moth” felt a bit heavy-handedly Burial, “Wolf Club” sounds exactly how you would expect a Four Tet and Burial collaboration to sound like, with both artists wasting no time putting their strengths on the table.

Maybe the drums has been made by Four Tet, and also the synth arpeggios in the mid of the track. I really love that synth and I wonder who made it. Do you think they made the track together in the same room or via internet, sending emails, wav ecc.?

Wolf Club seems more easy to understand. Drums are by Burial, I think he used it in an unedited track, and that type of bells/chimes are from Four Tet in my opinion, really similar to the type of sounds he used in his record 'There's love in you'. What's your thoughts? I also think that 'Moth' was a song initiated by Burial, because he loves moths, he said it in an interview, and he may have choose the title. I'm only going to talk about Moth because i've listened to Wolf once and haven't listened to it again since, wasn't really feeling it.

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I would say the drum sequence is mostly by Four Tet. Everything he does is very much like that and quantized (except for Unite by Burial.) I would say probably some of the drum samples may originate from Four Tet with some Burial tweaks because they sounds incredibly clean. I would also say the overall production is done by Four Tet too - once again, the lack of crackle etc leads me to believe that it's Four Tet because of how clean it is, even down to the very tiny click sounds after each bass hit. As far as writing the actual song itself an collab for the overall idea, I'd say it's probably a 60/40 split to Burial. Everything else seems Burial except for Honestly though, it's really hard to tell, and that's what I like about this collab, you can tell that they both made it, but you had to say which one made it overall, you couldn't say which one of them made it. I think they perfectly blended one anothers styles and complimented really well.